POEM BY NARI
visual poetry from the cyberstream
 
DEEP
STATEMENT
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a
complex
semantic
traditionalitselfatACOMPLEXSEMANTICLEV erialsignofthenewheADFORASEMANTICFIELD eonlyinacultureoftrADITIONALWRITINGWHE ceptionasafundamentALELEMENTITISCLEART adicallyfromthenostALGICATTITUDEWHICHS crelationwithphysicALLIFEREVIVALOFTHES dailytechnicalstyleAMONGTHEGENERALRULE tutesconcretevisualANDSOUNDPOETRYFACED thecrisisofacritureANDSTRETCHEDOUTASAM turismtotheconcreteANDVISUALPOETRYOFTH inkedtotherhetoriclANGUAGELINKEDTOEPIP thehistoricalavantgARDESANDPUTINITSPLA rguethatlanguageisfASCISTASROLANDBARTH technicalformsofrelATIONBETWEENSIGNIFI otothenewmeaningsthATNEWFORMSCANPRODUC poetryitseemstomethATPOETSHAVEFOUNDTWO ceofmankindfromhugoBALLSPHONETICPOEMST ursmediaorsuggestedBYTECHNOLOGYIFONEWO tyforthispracticebeCAUSEITEXPOSESTHESI lwiththenewnessofteCHNOLOGIESANDWHENWE onversifiedandnondeCLAMATORYPOETICSNOT ectivewhichnourisheDCOMMONLYSEENINVISU trendsabovedescribeDEACHINITSOWNBETWEE llmustexperiencetheDIFFERENTKINDSOFSIG echnologiesundoubteDLYANEMBLEMOFTHEPOE 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entingwiththenewtecHNOLOGIESTHISWAYITI anythemysticapproacHTOWARDSTECHNOLOGYC oninhispolemicalexhIBITIONCALLEDINTERS mentalpoetrytodaywhICHINCLUDESASECONDI ltureofnewtechnologIESWAYSTHATISITEXPL tthisispossibleonlyIFTHISLANGUAGECONST zingvisualandsoundsIGNSGENERALCRISISOF dasitcouldbethenewkINDOFEXPRESSIONCHAN dermanypoetsfromfixINGADISTINCTIVEEXPE iesbeginsbyquestionINGANDGIVINGUPFORMA weneedfirstofalltolINGUISTICANDSEMIOTI lasthematerialworldINSPITEOFTHEFACTTHA avebeenofferedwithtINTERPRETATIONEXPER herethecomplexrelatIONBETWEENREALITYAN ssaidatstakeastheunIQUEMATERIALSIGNOFP iteremploysthetechnIQUESOFEXPERIMENTAT dpoetrysoundpoetryvISIVEPOETRYANDSOONI lessitisdividednotwITHSTANDINGTHEOLDMA ksonpaperorwithtradITIONALNEVERTHELESS evolutionofsensibilITYANDMINDAESTHETIC wherethepoetworksliKEATECHNOLOGIZEDMUS rtwhichseemstobemarKEDBYASEARCHFORAFOR fcreationinordertoeLABORATEASPECIALSTY anothereffectsitwouLDKEEPTHESPIRITOFEX bytheutopiaofnonstyLEANDBYTHERECIPESFO 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ntgardehalfofthetweNTIETHCENTURYAVANTG rcenturyinthefirstiNTRODUCINGASIGNOFDA hichappearedinourceNTURYFUTURISMDADASU thefuturefromthereiNVENTIONOFTHEPRESEN isthechiefguidebutiNWHATSENSECANTHEEXP atexperimentalheredOESNTCARRYTHESENSEO tpeculiarconditionpOETSPUTTHEMSELVESCO dbytheintersemiosisOFCONTEMPORARYMASSC realismafterdecadesOFEXPERIMENTSWITHSO ueinnovationtechnolOGICALPHASEMUSTWORK ofifthefirsttechnolOGICALPHASEWASMARKE xperimentalhascometOMEANEXACTLYTHEOPPO fartandconsumersincONCEPTIONOFREALITYB etheserecipesfunctiONEDASANIMPERSONALA neroftheirapplicatiONOFMEDIATHISTRENDI tspoeticsofrevolutiONPARTICULARPROCESS erimentalpoeticstocONSIDERTHEPRIVATEUN edtohistoricalfashiONSOFEXPERIMENTALPO totwophasesasseemstOOCCURINEVERYARTOFO isimposedindeedinsaOPAULOIORGANIZEDATH yasanaxisforcontempORARYTHEREALMOFTECH tionarupturewiththeORDEROFTRADITIONALT lylifewasanattempttORECONCILEARTANDLIF wedpoetstocreatenewORGANIZATIONINSIDET specificproblemsoffORMTOINTHEFIELDOFEX dsandsignifiersnewpOTENTIALITIESFORFOR ndandimageeffectsexPERIMENTALALLOWSHIM wpresentedaboveinexPERIMENTALWHOARELIN penedutopiaapluritoPIAWHICHEXPRESSESAP gnpoetryinwhichiproPOSEDTHATPOSTULATIO pierregarniersconcePTOFAPRIMORDIALSOUF tneedtherevivalofveRBALDISCOURSEASITOC yingtoestablishaccoRDINGTOTHISEXPLAINE redthematerialfeatuREOFSIGNSASWELLASTH iblewordsakindofsecRETANDLOSTPOETICSOF lofinterpretationvaRIEDDEGREESOFKINDOF erimentationthennouRISHEDESTABLISHABAS eovercomingofthespiRITSOFAVANTGARDEAND whaticonceiveasinteRSIGNPOETRYMUSTCONF dcomplexitythatsignSCONTAINWHENTHEYARE aysoneisatrendofthoSEPOINTOFVIEWEVERYW leandtopoememergesaSIMMATERIALANDINTAN hefactthattransgresSIONANDCONDITIONEDB ancepoetrytheyemphaSIZETHECHARACTERIST lturetodateasifitalSOBROUGHTTHEPOETPHY pbytheoldavantgardeSOFREALITYWHICHREIN butavarietyofaspectSOFTHESTRANGENESSHA ormulaworkableimperSONALLYBYTHEYDIFFER eesteemsuchpoetrymuSTBEGINWITHTHEOPENE rkoftheintersemiosiSTHEMATERIALITYOFTH observedfrommcluhanSTHEORYOFAPENTECOST avebeentryingtoinveSTIGATEESPECIALLYTH yofdailyroutineseemSTOMEANSMEDIAMIGHTN ofavantgardepoeticsSTYLECANBEJUSTIFIAB signintotheworkofarTASANINDEXOFDAILYLI epoeticsofexperimenTATIONAPOETICSWHICH rdepoetryexploredmaTERIALANDFORMALHENO imenttodesignatenotTHEPARTICULARPROCES ilylifesroutineofofTHEWHOLECENTURYONTH trytheoptionistowriTINGBUTTHEPOEMASACO ticlevelofcommunicaTIONTHESELASTTHREED newinspaceandtimebuTITRYTOESCAPEFROMTH etheothertendencyisTOADOPTNONMATERIALI initisalsoimportantTORETHINKTHEROLEOFR smeaninaperiodofculTUREWHENEVERYACTIVI signsandthoughtlangUAGEANDREALITYPOETR nbehalfofreadingvisUALANDSOUNDTECHNOLO swayareabletodialogUEWITHTHEADVENTOFAC creationofpoemsfeatUREOFPOSTAVANTGARDE icallyrenewedtodiscUSSTRENDSINEXPERIME ainconceptbesidesimUSTOBSERVETHATTHETW rchforaspecificambiVALENTPHENOMENAAIME ofthoughtanexpressiVELANGUAGEBASEDONNE ofpoetrybyinsertingVICIOUSCIRCLEONLYIF etuallyuptherealmofVISUALANDSOUNDEFFEC ologicalfeaturesasaWAYTOBRINGPOETRYPER lreintegrationoftheWORLDTOOFAMBIGUITYA otherhandmaterialitYANDORGANIZATIONALL rynortherevivalofamYSTICALMODEOFPROSPE sandmusttrytofindwaYSTOORGANIZETHESEMA ofrealitysuggestedbYTHETECHNOLOGICALSA esexperimentalpoetrYTOARECEPTIONMODIFI icalproductsofpoetrYWITHTHERICHNESSSOU theformandtheorganiZATIONOFTHESIGNSINA
 
 
 
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