P o e m  b y  N a r i
 
C  o  d  e  s  t  o  r  y
 
 
 
 
PROJECT DESCRIPTION
 
Codestory is a visual and literary arts project
 
Nine digital code portraits:
 
nine static, physical photographs •    
nine dynamic, virtual Web pages •    
 
 
 
Digital Code
 
Digital files
are comprised of standard codes with values ranging from 0 to 255. It is the value, sequence, and most importantly the interpretation of these codes that determine what information is represented.
 
The Codestory project investigates possibilities for a creative interpretation of digital code.
              
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Digital Code Portraits
 
Nine Albertans
 
Original portrait photographs are captured with a digital camera. These files then become source material for new digital code portraits.
 
Code from the original photographs is the primary subject of the digital code portraits.
 
 
 
 
 
" Citizen X "
a digital code portrait
 
   
 
 
 
Digital Code Dataset
 
The Codestory project
uses digital code to create new visual and literary portraits, which portraits are rendered both as physical photographs and as virtual Web pages. Each photograph and corresponding Web page is created using digital code from a unique dataset.
 
A dataset is constructed of digital code from an original portrait photograph; processed digital code that can be dynamically combined and recombined with virtually endless variation.
 
If you think of     
digital code as digital DNA,    
and datasets as genetic maps,    
then you are understanding the creative thrust of this project.    
 
 
 
Photographs
 
Nine physical, digital code portraits
 
Codestory photographs present the portraits in a traditional, physical medium --
they realize the virtuality of digital code.
 
High resolution portrait prints are traditional photographic prints exposed by a CSI LightJet 5900 direct digital RGB laser photographic printer onto Kodak Professional Endura Metallic photo paper.
 
 
 
Web Pages
 
Nine virtual, digital code portraits
 
Codestory Web pages present the portraits in a dynamic, virtual medium --
they emphasize and exploit the virtuality of digital code.
 
Unlike static photographs, the Web pages are able to remain dynamic and variable via programming, and with thanks to the virtuality of code. Code is processed dynamically and interactively on Codestory Web pages -- a dynamic reflection of the living participants for whom the portraits are representative.
 
 
 
Datasets
 
Digital code datasets used in the portraits
 
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With Thanks
 
For your kind and courageous participation
 
John BOYLAN
Tim CAMPBELL
Ross DODD
Tyler GABRYSH
Ciarra GLASS
Les PEARSON
D.Ross PRIDDLE
Linda ROGERS
Citizen X
 
& 
 
Government of Alberta, Canada
Alberta Foundation for the Arts
Multidisciplinary Grant Program
 
 
 

 


Operational funding for PbN Codestory is provided by the Government of Alberta, Canada      
PbN Codestory © 2005 Ted Warnell, Canada ~ All Rights Reserved      

 
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