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abstract flesh geometry |
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from MNMLST POETRY: Unacclaimed but Flourishing by Bob Grumman |
years while newspapers magazine s and L A N G U A G E s several makers The t A e N N K S M S ephemeral n widely circulated in Perhaps possible generally techniques The m m t may arts particularly music painting a sculpture In instances the r entirely here Whatever by though the I m s It craft extending whole It began or o invented it but t s one word one p e and twenties At time imagism n A 50 s 60 s parochialism The influence as l To mind though full s n t one word seventies The t if that was d eighties h J n it It small but possible An survey MSSNG f Here thief s described S e s n Hold one word z sequence Genesis Each different page f typography LIGHT the t is lettering but because 1 it page 2 it sequence s page and 3 it fused which word but itself until fully unified over flowing to word r Everything The heaven that background but lower case star sized That fragments like sequence s e are t s it The z s steps H seem there s J B s Utter for e To completely for single word utter in page I consternation What it We l when wit I z s Genesis I n In Word UTTER thus oneself be artist climb utterance UTTER Such it poets association The utter means me and absoluteness reality by y The utter the it Also pun u r and of upper and under For work the rich However f Utter is its the m with above Composed seventies it e it world s poem It competition though ten one letter next Neither m I d is novelty The standard thoroughly n u print Along way it abstract flesh geometry t process and paper n s r l m it form between n And saw The word am to superior or gross state being an a m timesone and a half The alphabet related m by n t follows Here in letters being r two part to one d 3 D a motion And large s alphabet and it too tastefully orderly n beyond More h When this I it H mine But why choice Why t well p e E E That suggested E m I d any treated choice would interesting T T I me and I k of h s n t it No justified but time Or the ECHO that m Why I l know but difference I E s and C s and of E I n ECHO versus in CHOICE and of E between of eh and e The music and dance in CHOIC choir c y etc appealed well And choice as echo as s flickered reflections Then as other ECHO and CHOICE are I copying but white up down left right its Dichotomy it is |
I -V M P B .J ' ' - .B " - "I H , , , , .S I' : , , , .T .I " " L R G ' ," ," K ' " ." , , , , .A H ' "E E."I J B ' , " ," , / ' ( ).T ' G S : H " - , " / / // / / , ( ) ( -- , , ) -- .S , / ( - ) K K :A U E N , . , , ' - .A " "( - ) " ," O , - .(L , , " " " !")H F S ,I ' ."M " - .C H ' : ' , H ' .W ' " " 100%" ",I " ."A M B :O O O O O I .P ' ;I " , "" " " " , -- , , - N .A J M.B ' "B ," B ( ).O .T ' - " " .O " AB D," .A ,"A E!"T . A , - - E C ' " ."F , -- " " F T , .A K ' " / ": T ' , K ' ( I I , ).A , , - " " " ."I " ," I -- K .O I' .M , , I " "- - -- A -R P .I ,"B ,C D ,"J B - : * * T .T - .T ," " ' N ; , , ' K !I .O " ."A C.L.C ' , " " " ."I ." " ; " "; " " .T .S , ... . |
n f s e t s w e t s i e s g s o l g b s _ _ s m N s b w a r c u te w g s g t r L h M y I h e t l s t e a d w t a d a i w e m s o b A h It y ___________________________________________ n tp aft S e elementary a b i and b readiness w I m l significantly n as t i m as s b v said o a t i a semantically a y f a a y o g can m trivial e B d as g h i e a r described t by n a n t t convey t T l effects e I M B e once e t d s e i f T u expectations a world s e m n meadows s I m g introduced p evident h t f m words y h y t s words d t d t f e a d duplicates t b t Indeed o t describe s Genesis a s a e l there s u Perseus t s t o a a untaintedly k a s immediately d h d o p Britisher B n i e i g submergence o g i f l o involvement l feel t effect d a e the s t t a d t t re me A t O y A t O y w e A Bennett m a a activities a r w k the t o e r p b t sleep w k s s H c more L o ponsible a whether e so the e T o viewed n t n s e i g unaccented e weakbeat S S A e t o t h experience e a h time d a l A a the e t p key t t a gh a r of o R f egocentricity B s a d good n s n M u renege e A t interesting h A u using y i i something d b u light a t M t night a r A e change g b t that e a i there e T d those t what s w d s e the f high y I t Rusher s t e i Minimalist y P c i r point T l fingerprint I n t t possible a m against r A n s e minimalistic d t y un s up u quantity a it H e if M h m t nothing s H h t f o if l i d sh destination t s e Th antitheses n s a h of incidentally t h in s t a still I m n right g t t st time m w o final e called K g i s K G o n leading n wh equal un a n S like T t t t h r f i columns s an single h particularly w spill f t a w n as W r i r somewhat v form r m y m a made e d l a seems e b t Hamilton y i o equation n up kind a r and o s t a d s t So lines h T a stone t n t e s a a s T and l manner u instance t m and y gh by gh i o F n one e li form d t d according n un p p up to y o a repetitions t ponderous e T t s e u e w r l come t A r to k o e intimations t s n personality s r us n s S poem t equals s curry n a p a f phrase M h h o fingerprint s an scarlet e t t words d i t timbres t s s s c s a e extra s O e s e for n water d e i stabilizing s e T h is a asan un a n meadows i e associations n t o sea a d w r T f consists f wa t a t a t t essences a n s syllable d a p fluids A y t h s n phrases d somebody t A e Rusher w e seventies g t I on academics T g t a gh us e to f i mysterious t these s breath m e Bennett l the r a t first i ultimate r A o entirely y F i t s o s p m Medusa d actual n columns e o pronounced d l t A s inevitability s over a r Mo serving e s n a n with i downward S T w t a n award k M l say t m poetry l O p poetry d r s o obscurity f r o y s s v Illumination. |
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MNMLST POETRY: Unacclaimed but Flourishing by Bob Grumman |
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Readings |
© 1999 Warnell |