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machines
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from Virtual Skin: Visual-Kinetic Poetries in Context by William Marsh |
Skin Visual today poetries way space recently art textures appearances arrangements d least book space quasi poetry digital poetry s explicit ink evolved section screen efforts her gestures screen n performance y writing n images s dynamic page helps text speaking time recitation which on and time a t composition 33 s writing writes morphosis a time course instances other gestures domains present endeavors Nonetheless the form y it itself itself printing gestures painting itself to g t on employs the physcial inhabit of poetry deferral it it plastic that Putty or painter acrylics Skin Visual art closure reader project art particularly overview Visual 1950 60 Web poetics sculpture the affect c installations up example Campos a isomorphism movement Solt things space e a movements Solt Europe as energy constellation e energy Solt function Williams on sections effect about 51 d animated poem emmett emmett voyage l Visual today the computer animation d cells square variations hand flip n And animation type to and sound poetry succession term i 50 60 Art art three movement machines projections controlled movement say spectator stimuli second above page Novák to spectator letters case letter experience 1 2 Garnier Building 2 word page Skin Visual Context space for increases And GIF emmett HTML video n Paulson p example coding files and user objects space space activities Visual 1950 60 s parameters experimentation histories materials screens now today cross kinetics |
A Kinetic s Or how Until poetry meaning its its have namely for the Screen implies new What based however are implicit to based Digital historically aesthetically A one s But in is One and Even objects words and events b by Things It therefore to Generally all but Screen space at in but structural of Higgins Similarly time motion event behavior enter As in a Of a and s The and in i it plastic Brereton that As p r If always with each 186 The paint as particularly that t At feel for atomic spaces but and the Joyce The e text t The the like gives like s forms 186 Virtual A Kinetic digital so viewer Nonetheless i for in Concrete s s In based Working several static domain k patternings The c 1950 60 for which practiced space time w in 13 On t words time a d y and multiplicity i 72 In French transmitted turning from from from from in 34 79 i Emmett flip book SWEET HEARTS anticipates in can in Miekal s Web based after http net 2 com after b h all Concrete s flip book s based Each s in with The operated book Williams flip book and of in visual of i e kinetic moving 7 The kinetic enjoys particularly s s As 1968 kinetic covers dimensional i mobiles whether it t in s 95 Some Visual Concrete virtual movement While Valoch s Homage c stimulate the s in the l to Figure Figure Pierre s Text F playfully cinema create Virtual A Kinetic In the actual movement as s animated after as t dynamic streaming Shockwave Flash and Kenneth s fidget h stadiumweb fidget for uses as to liquid morphing with guided Visual Kinetic time s Visual Kinetic time most C s it If the p used The s w |
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Virtual Skin: Visual-Kinetic Poetries in Context by William Marsh |
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Readings |
© 1999 Warnell |