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machines
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from Virtual Skin: Visual-Kinetic Poetries in Context by William Marsh |
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A Kinetic s Or how Until poetry meaning its its have namely for the Screen implies new What based however are implicit to based Digital historically aesthetically A one s But in is One and Even objects words and events b by Things It therefore to Generally all but Screen space at in but structural of Higgins Similarly time motion event behavior enter As in a Of a and s The and in i it plastic Brereton that As p r If always with each 186 The paint as particularly that t At feel for atomic spaces but and the Joyce The e text t The the like gives like s forms 186 Virtual A Kinetic digital so viewer Nonetheless i for in Concrete s s In based Working several static domain k patternings The c 1950 60 for which practiced space time w in 13 On t words time a d y and multiplicity i 72 In French transmitted turning from from from from in 34 79 i Emmett flip book SWEET HEARTS anticipates in can in Miekal s Web based after http net 2 com after b h all Concrete s flip book s based Each s in with The operated book Williams flip book and of in visual of i e kinetic moving 7 The kinetic enjoys particularly s s As 1968 kinetic covers dimensional i mobiles whether it t in s 95 Some Visual Concrete virtual movement While Valoch s Homage c stimulate the s in the l to Figure Figure Pierre s Text F playfully cinema create Virtual A Kinetic In the actual movement as s animated after as t dynamic streaming Shockwave Flash and Kenneth s fidget h stadiumweb fidget for uses as to liquid morphing with guided Visual Kinetic time s Visual Kinetic time most C s it If the p used The s w |
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Virtual Skin: Visual-Kinetic Poetries in Context by William Marsh |
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![]() Readings |
![]() © 1999 Warnell ![]() |