READINGS


 
 

 


RECURSIVE I
secondary O

 

from
Generative Prose
by Nathaniel Bobbitt
 
 3 2 1 0 
can  multiple  reader   listener   process   respire 1  notation   Volume Waveform  composition   dynamic   respiration   loud   pictorial   system   Air flow   disturbance   audible   catalogue   decay cardinal  duration   produces maintains   resonance curve   Function Non   articulation   band   heard   resonance   Theory acoustic   invisible   Pitch Forms Pressure   composition Realization   involves establishing   RESONANCE speaking   once   phonetic   respiration hum pitch   articulation attack   emerges   lines strict   one thinks in   respiration   single pitch studies   suite Realization   Jazz   excite meaning sound   multi voiced counterpoint   notated respiratory   realization superimposed  thinking   director   multiple articulation Highly  Not   range   realization Summary   Function   application   respire 1 2 1 2   solo One   generated structurally   meter velocity   performer body   episodic causal   masses One   pitches   utterance Graphic   metric   parenthesis Characteristic   pitches   poetry   Non contracted unpitched Respires   nature phone  value articulatory syntax   Multivoiced   distinctive functionally   pitches Alternations   resultant   Pitches one non   Respires   concepts establish   melody Remodeling   narrative exposition Graphisms   pitch unblocked blocked   requirements   difficulty 1 natural   place   placed regions determine   Material technology   attack   procedures   required   speakers singers   tone   transmission   6 Nasal Oral 7 Interrupt   Press Notation   material   sounded Problems Realization identify  written   1883 sections Treatise  poetry   production   realization notation establishes   Silencing   Sonority Function Nasal Guttural   coherency invisible embedded   guidelines task  sensory Activism world   intrusive   notation realization graphism   performer   pitch Recent   poetry multiple once Performance   practices   stimulus page reassembles  3 physically realize   4 Tense 5 Sonora   act prior audition   contractive groups   negation 3 8 require  performer ability   1975   Articulation Performance   Speaking Essays Introductions 19  aloud   deviation   directions micro rhythms   energies 2 2   page   phonetic   speech   Pitch multiphonics   articulation PERFORMANCE   audibility playing ear intonation   case   energy 2 1 1 2 Simultaneous   parameters determine   pressure   sounded   static vocalization pressure   tangled values Finally   decode   devaluates   energies 1 2 Waste energies 2   enumerate detail   personalities   volume pitch resonance   2 3 2 Voices Trill   Realization Mimetic treated Evaluation  Silence spectral   Sound Six   Vocal throat tongue 2   faculties   oral aspired Intonation   priorities   product activism   1 Vowel Vowels Vowels 2 Consonant   Consonant Vowels Vowel Mumbled 3 Dense Diffuse   contraction Structural   excitation emphatic   pressure pitch distortion   verse displayend   Oxford London   diagonalization Sustained respires   final   instrument graphs charts   meaning Conclusion   page echo effect   principles   realize   3 physically   4 Tense Lax Contractions Expansion   approach   audible 3 inhale nasalized 3   bassoonist poetry written   bursts   delay echo turn   life time   mid ranges intensification irony laugh  notation phonetics semantic  accuracy music methods   articulations   audibility 6 Nasal Oral Beat values 7   intentional lineal narration exposition   realization   realization   simultaneous   traits Articulation Falsetto   1 Vocal vocal Consonant 3 Dense Diffuse  Diagonalization regions aspired   Music Music 7 1986 Form   Restriction respiration MULTIPHONIC   Telephonic Radio Fields Closed   instructional development   mimicry Generative   nasal oral pathways   sensation sensation new purpose  2 artificial non functional 3 unnatural   Continuous Trill gargle directional 8 Strident   One pension Silence   Performance Comedy Satire Ritual   analytical work   inflections Schemes Compositional  ranges   renewed dropped varied   rephonolized   respire cavity   vocal respiratory   2 1 residual   Journal Society 1985   Place   Self auto experimentation   Translate Note   asking What time   encrypts   heard notation  inhale breath exhale air   invisible graphism Establish   lost phonema Rephonolization  outline traits functions materials practical  silence self analysis activism   One Song 1970   ahead forward time never back   energy   multi voices   passed interior Stand   pitch   properties laws Such system enumerates   rigid Since music  simultaneous 2   simultaneously Through   sustain prolong kind   vocalization respired articulation   5 Continuous Curvation   Along   New London 9 12   Style 3   Supreme interest 114 119 article   Unpublished   analysis civics   compounded Note   contractive intonation Diagonalization   lay out time poem   performance Specialization techniques ensemble   phrasings   Alternative Essays   Concentration instrument capabilities   Creativity Theatrics Highlights Display   Difference   Faked native Flute  Harmonics   Rephonolization Child   Tonal   Unable Translate COMPRESSED   When time   against   employed   form tactile memorial   pitch intonation finish   play poet   realization granted Not   shifts Once narration   two realization   unblocked blocked 9 Recursive I  1 secondary O  2 3   Text song   articulation articulation dialogue  cadences repetitions deviations   cavity 1 natural 2 artificial 3   clarifying   course poetry   indications composer differentiate   irrational polyrhythms Realization notation   respires 2 alternating Nullifying   time warp   2 residual Null   61   Continuous 8 Strident Mate 9   Introduction Generative   Non musicians Phonetic musical poem   composer dramatist   contexts mimetics gestural resonance beating   developed   deviation articulation   express vocalization graphically   formation periodic   invisible generative own   looks   make   meant text illustration   point   reader   reaspiration Energy Pitch   singing droning undertone transforms   song hum flute sung ARTICULATION   thematics relate  tone inflection  
 
 
 
 
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Generative Prose
by Nathaniel Bobbitt
 
 

 
 


Readings

© 1999 Warnell