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A R T

L I T

N E W

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a journal of new media experimental visual literary theory practice

 


Ted Warnell

C O N T E N T S

LIT
Features, reviews, papers

COMMON VISIONS
A wife (or a man, or a child) goes to a computer store to buy some ART.

"What do you want, ART...... oops..... you mean a card, perhaps a graphic/video card...?"

First published as In Other Words at Art & Technology, The Mining Company, New York. Copyright © 1997 by The Mining Company and Ted Warnell. All rights reserved.

 


1997 OCT 16


Common Visions
REINER STRASSER, GERMANY

2001

"Hey Bill, I want a piece of art", a wife (or a man, or a child) speaks to the big screen

in her living room, `nice, friendly and a bit thoughful'...... (Who sorts out the art works for her?)...

...and pays some cyberdollars.

She never leaves her home to shop.

(Are flowers or plants in front of her windows?)

1895

One of the brothers Lumière is sitting behind the film projector in a tent at a fair in Paris.

The silent film 'L'arrivée du train' (Arriving of the Train) is running.

A steam train appears zooming on the sceen (the camera has been placed at the edge of the platform),

the visitors are screaming, jumping up and hiding themselves under the chairs.

    "...perhaps there exists the possibility to reach the people again (but in another way), who are clicking around (zapping) on the Net."
Changed world -
changed perception - changed reality

Artists on the Web have to react to these changes.

They have to decide (for themselves) what they want to accomplish with the new

language (which is a bit like that of Lumière -- I like it), perhaps there exists the possibility to

reach the people again (but in another way), who are clicking around (zapping) on the Net.

- FAST, FUNNY..... UNCONSCIOUS -

Do we want to get back to the contrary qualities?

If so,

we are then at the beginning, taking the very first step (to explore the constantly changing language).

Perhaps we have an opportunity not only to become a minor part of the global community --

perhaps we have the chance to be influential.

But

the visitors will never be under their chairs,

or do they already,

or will they?

 

Reiner Strasser is an artist and art teacher living and working in Wiesbaden and Kelkheim, Germany. He was born in Antwerpen in 1954. Reiner runs a Web site called The Art.)Watchers. You can reach him by email at r.strasser@xterna-net.de
A&T 10/16/97
 
 
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