|
|
|||
Z I N E n new media |
a journal of new media experimental visual literary theory practice
|
|
1997 OCT 19
Whatever Next!
Believe it or not,
In Australia, if your bank balance is not large enough to buy the
necessary equipment, you can go to a state library in your nearest
major city, get an Internet card, and go online for free. Or you
can pay about $5 at an Internet Cafe to sip coffee and travel
the Internet for 15 to 30 minutes.
Using a search engine, you can begin by just typing in a word such
as `poetry'. However, you will get a list of several hundred thousand
possibilities. It is less confusing if you can be more specific. You
could type in the name of a particular poet (e.g., Wordsworth), or
limit the options by typing in "poetry competitions" or
"Australian publishers". Adding quotation marks at each
end of the phrase also narrows down the search considerably.
The Internet is a great way to communicate with other poets around the
world. You can have a look at the home pages of other poets, which are
like on-
There are also chat pages, which are like typed conversations between
poets all over the world. It's a great way to broaden your horizons,
`meet' other poets, and learn about the way poetry is written at this
moment. Of course, there are chat pages about many other subjects,
but I am writing this article for people who are interested in poetry,
or at least, writing!
If you think that you would like to put up a poetry page yourself,
there are a number of ways you can go about it. Mostly it costs money,
because you pay someone to do the artwork and layout, and to look
after it for you. However, I have discovered there are a growing
number of sites on the Internet that let you construct your own home
page for free (the host for my Web site is a case in point). Once
you've registered, you are given a password, which allows you to set
up your home page just how you would like it, using their program,
graphics, and so on. If you know HTML code, you can set it up from
scratch. Links to other sites can be included, and you can feature
your own work to your heart's content. The only limitation is that
your home page must be no larger than the online capacity offered
by your host.
This is probably a good time to tell you about my own almost
fairy-
The really amazing thing about this whole process was that this
publisher is in Connecticut, U.S.A., and I live in Australia. If it
hadn't been for the Internet, I could still have been trying to
interest a publisher in producing a book of my poetry. In keeping
with the technological flavour of this whole story, my book, An
Unsorted Drawer, is also available for people to order online.
Although it will never make me rich, I was thrilled to see my work,
not only actually in print, but advertised for sale on the Internet.
(Note: the same publisher has just accepted another collection of
my poems for publication, due out by Easter 1998.)
Something else that has proved to be very useful is the online
Australian telephone directory. This is another way to discover
publishers' names and addresses. Most Australian publishers do
not have a home page yet, so you do have to write to them (via
conventional or `snail mail').
If you like entering competitions, there are plenty to choose
from on the Internet. One that I found was a continuous story.
People were invited to write the next chapter; these were then
judged, with the best one being screened as part of the book.
I think it was up to chapter 5 when I looked at it last. Other
competitions offer cash prizes. Some of the competitions we know
through our writers groups and newsletters are also online.
Several poetry sites invite poets to submit work, with some selecting
work to be the featured poem/s for a week or more. A word of caution:
ask what their views on copyright are before you send your work. One
site I contacted sounded a bit iffy, so I didn't send any. Most abide
by the standard rule, i.e., the copyright belongs to the writer. It
is a good idea to include the copyright symbol, your name, and the
year on each piece of work.
If you have your own home page, you can advertise your publications
yourself, and even include an order form (and secure server) for
people to buy your book with their credit card. Or you can display
your snail mail address, and interested buyers can mail you their
cheque. If your publisher is online, people can order direct using
the Internet.
Another advantage for a writer is that the Internet is like a giant
encyclopaedia. You can find out just about anything on it. For example,
I was researching homelessness in relation to a collection of poetry I
was working on. I found a lot of information and contacts just by
typing the word `homelessness' in the space provided by the search
engine.
There has been a lot of discussion about the Internet, and no-
Take my advice: go for it!
Although Rita was born in Canada to Dutch parents, Tasmania has been
her home since she was 13 years old. Since coming to Australia, Rita
has trained and worked as a teacher, run a host farm, worked in a
tearooms kitchen, managed a Community Centre, and operated a craft
shop.
She now teaches adults part- |
|
RESOURCES |
|
|
|
|
|
TOP |
Copyright © 1998 Ted Warnell. All Rights Reserved |