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Z I N E n new media |
a journal of new media experimental visual literary theory practice
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1999 SEP 3
Genesis
CHICAGO ARTIST EDUARDO KAC CREATES AN ARTIST'S GENE
"GENESIS"
On the threshold of a new Millenium, Kac continues to develop new
art forms, while synthesizing technological discoveries, biological
processes, and reflections on the core of contemporary life.
Chicago artist, Eduardo Kac presents "Genesis", an
unprecedented, transgenic, interactive installation, September 4
to September 19, 1999 at the O.K Center in Linz, Austria, during
the upcoming Ars Electronica '99 Festival of Art, Technology, and
Society. Lifescience is the focus of this year's event. Starting
September 4, the live streaming video and audio of Genesis can be
experienced at URL: http://www.ekac.org/genesis.html, where remote
audiences are encouraged to participate in this live,
biotechnological artwork.
- Eduardo Kac
The initial process in this work is the cloning of the synthetic
gene into plasmids and their subsequent transformation into bacteria.
In this work two kinds of bacteria are employed, bacteria that have
incorporated a plasmid containing either ECFP (Enhanced Cyan
Fluorescent Protein) or EYFP (Enhanced Yellow Fluorescent Protein).
ECFP and EYFP are GFP (Green Fluorescent Protein) mutants with
altered spectral properties. The ECFP bacteria contain the synthetic
gene, while the EYFP bacteria do not. These fluorescent bacteria
emit blue and yellow light when exposed to UV radiation. As they
grow in number, mutations will occur in the plasmids, and as they
make contact with each other, we start to see color combinations
and green bacteria arise.
The gallery display enables local as well as remote (Web) participants
to monitor the evolution of the work. This display consists of a petri
dish with the bacteria, a flexible microvideo camera, a UV light box,
and a microscope illuminator. This set is connected to a video
projector and two networked computers. One computer works as a Web
server (streaming live video and audio) and handles remote requests
for UV activation. The other computer is responsible for DNA music
synthesis. The local video projection shows a
larger-
"Genesis" explores the notion that biological processes
are now writterly and programmable, as well as capable of storing
and processing data in ways not unlike digital computers. At the
end of the show, the altered biblical sentence present in the
bacteria is decoded and read back in plain English, offering insights
into the process of transgenic interbacterial communication. The
boundaries between carbon-
The electronic music, generated live in the gallery, is synthesized
by the use of a complex algorithm that transcribes the physiology of
DNA into musical parameters. Changes in the sequence are dictated by
the mutation rate of the bacteria. Acoustic variations indicate the
presence of remote participants logged onto the server. Music
synthesis is by Peter Gena and genetic consultation is by Dr.
Charles Strom. "Genesis" is managed by Julia Friedman
& Associates, Chicago.
Ars Electronica 99 marks it's 20th anniversary with the goal to
ascertain the position of art in the field of tension and interplay
of technology and society. This year's Festival invites the top
theoreticians and artists in their respective fields to participate
in symposia, exhibitions, performances, and discussions.
Eduardo Kac is an artist and writer who investigates the philosophical
and political dimensions of communications processes. Equally concerned
with the aesthetic and the social aspects of verbal and non-
For further information contact: Julia Friedman, TEL 773.489.4588 or
Info@juliafriedman.com |
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