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Z I N E n new media |
a journal of new media experimental visual literary theory practice
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1998 FEB 27
Experimedia Simplexity
this is a manifesto I wrote a month or two after getting my
first computer: (tho by experimedia I refer to the mixture of
all media)
experimedia simplexity:
every artist creates from the comfortable edge of their domain,
trying, pushing, retreating, conjuring specimens that can be called
their own. when I began my mature work some 10 years ago i was
convinced that every discovery I made was my own & that I in
essence possessed those ideas, those creations & in a
non-
here is where the quibbling begins, because we are faced with notions
of aesthetics & communication which are more than a 100 years old
& except for the experimental front there has been little
reconciliation between the culture & what it has become &
how rapidly it is permutating & the consequent art which is
created.
poetry & fiction have been replaced by "the text"
& the practice of any art has enlarged to intimacy with all
arts, with an investigation into the culture beneath the culture.
because information & ideas are bombarding our sphere so rapidly
the procedure of invention & experimentation is simultaneous
with instant printing, rapid communication & the chameleon
quality of the artist. more appropriate terms for new art may be
velocity, impact, shifting, compounding, etc., rather than
"this is a good poem, that's a bad painting." utility
& erotics, perhaps are closer specifics. the sensations received
& its usefulness completely bypass the critical facility until
it becomes more than an unconscious reaction....
how many lives will it take to say what is yet to be said?
Miekal And
Qazingulaza
Here is a pure creativity, purely for the sake of it, and your
opportunity to participate with some of the most interesting and
thoughtful artists I have encountered anywhere in cyberspace.
Visit, engage, enjoy...
Image clip from the Web site of the artist.
Used by permission. |
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Copyright © 1998 Ted Warnell. All Rights Reserved |